{"id":867,"date":"2017-03-06T15:03:28","date_gmt":"2017-03-06T15:03:28","guid":{"rendered":"http:\/\/institucional.us.es\/orquesta\/?page_id=867"},"modified":"2023-02-10T11:42:30","modified_gmt":"2023-02-10T11:42:30","slug":"temporada-20162017","status":"publish","type":"page","link":"https:\/\/institucional.us.es\/orquesta\/programa-de-conciertos\/temporada-20162017\/","title":{"rendered":"TEMPORADA 2016\/2017"},"content":{"rendered":"

OSC<\/strong><\/strong>. VI Temporada 2016-2017<\/span><\/h2>\n

\"18527323_10154959203064442_6498832159838397816_o\"<\/a>Tres ser\u00e1n los conciertos que tendr\u00e1n lugar en la ETS de Ingenier\u00eda en esta nueva temporada de la OSC, destacando tanto los solistas participantes en cada uno de ellos, as\u00ed como los programas que se interpretar\u00e1n, siendo especialmente protagonista la m\u00fasica europea del siglo XX en el segundo de los conciertos y la colaboraci\u00f3n con varios coros de la ciudad para poder interpretar la monumental \u00abMisa Nelson<\/strong>\u00bb de Haydn, siendo esta vez el director invitado Juan Rodr\u00edguez. Igualmente tendr\u00e1 lugar uno de los m\u00e1s apasionantes proyectos y se desarrollar\u00e1 en el Teatro de la Maestranza, en cuya sala Manuel Garc\u00eda y en una coproducci\u00f3n de la OSC con la ESAD, se representar\u00e1 la obra\u00a0El Retablo de Maese Pedro<\/em><\/strong> de Manuel de Falla, en un espect\u00e1culo m\u00e1gico de t\u00edteres, donde la m\u00fasica de la OSC – esta vez en formaci\u00f3n de c\u00e1mara – y los textos de Cervantes seguro avivar\u00e1n el seso y despierte la memoria del p\u00fablico asistente.<\/p>\n

 <\/p>\n

TEMPORADA VI. OSC. <\/strong>CURSO 2016-2017<\/strong><\/span>
\nORQUESTA SINF\u00d3NICA CONJUNTA US-CSMS<\/p>\n

 <\/p>\n

 <\/p>\n

CONCIERTO #1<\/span><\/a><\/strong><\/h2>\n

Viernes 02 diciembre 2016 \u00b7 20 h \u00b7 Auditorio ETS Ingenier\u00eda<\/p>\n

ORQUESTA SINF\u00d3NICA CONJUNTA DE LA US-CSMS<\/p>\n

Israel Fausto Mart\u00ednez \u00b7 violonchelo
\nJuan Garc\u00eda Rodr\u00edguez \u00b7 director
\n 
\n– PROGRAMA –<\/strong><\/p>\n

H. Berlioz<\/strong>
\nSc\u00e8ne d\u2019amour de \u201cRom\u00e9o et Juliette\u201d<\/em><\/p>\n

E. Elgar<\/strong>
\nConcierto para violonchelo en mi menor, op. 85<\/em><\/p>\n

F. Mendelssohn<\/strong>
\nSinfon\u00eda n\u00ba 5 en Re mayor, op. 107 \u00abLa Reforma\u00bb<\/em><\/p>\n

PLANTILLA<\/span><\/a><\/span><\/p>\n

 <\/p>\n

 <\/p>\n

CONCIERTO #2<\/span><\/a><\/strong><\/h2>\n

Viernes 31 de marzo de 2017 \u00b7 20h \u00b7 Auditorio ETS de Ingenier\u00eda<\/p>\n

Orquesta Sinf\u00f3nica Conjunta de la US-CSMS<\/p>\n

Juan Garc\u00eda Rodr\u00edguez\u00a0\u00b7 direcci\u00f3n
\nManuel Brazo\u00a0\u00b7 saxof\u00f3n<\/p>\n

\"TEMPORADA<\/a><\/p>\n

 <\/p>\n

– PROGRAMA –<\/strong><\/p>\n

A. Webern
\n<\/strong><\/strong>Seis piezas para orquesta<\/em>, Op.6b<\/p>\n

H. Tomasi
\n<\/strong><\/strong>Concierto para saxof\u00f3n y orquesta<\/em><\/p>\n

J. Sibelius
\n<\/strong><\/strong>El Bardo<\/em> (poema sinf\u00f3nico), Op.64<\/p>\n

B. Britten
\n<\/strong><\/strong>Sinfonia da Requiem<\/em>, Op.20<\/p>\n

PLANTILLA<\/span><\/a><\/p>\n

 <\/p>\n

 <\/p>\n

CONCIERTO EXTRAORDINARIO<\/span><\/a><\/strong><\/h2>\n

\"Produccion-Retablo-Maese-Pedro-Teatro-Maestranza\"<\/a>M\u00edercoles 17 mayo \u00b7 19h y 21h \u00b7 Teatro de la Maestranza. Sala Manuel Garc\u00eda<\/p>\n

ORQUESTA SINF\u00d3NICA CONJUNTA US-CSMS
\nESCUELA SUPERIOR DE ARTE DRAM\u00c1TICO DE SEVILLA<\/p>\n

Juan Garc\u00eda Rodr\u00edguez \u00b7 direcci\u00f3n musical
\nAlfonso Zurro \u00b7 direcci\u00f3n de escena
\nJuan A. de la Plaza Ant\u00fanez \u00b7 direcci\u00f3n y puesta en escena de t\u00edteres<\/p>\n

 <\/p>\n

El Retablo de Maese Pedro<\/em>. Manuel de Falla<\/strong><\/p>\n

PLANTILLA<\/span><\/a><\/p>\n

PROGRAMA DE MANO<\/span><\/a><\/p>\n

Entrada libre mediante reserva previa<\/p>\n

 <\/p>\n

CONCIERTO #3<\/span><\/a><\/strong><\/h2>\n

Viernes 26 de mayo de 2017 \u00b7 20h \u00b7 Auditorio ETS de Ingenier\u00eda<\/p>\n

ORQUESTA SINF\u00d3NICA CONJUNTA US-CSMS<\/p>\n

Juan Rodr\u00edguez Romero \u00b7 direcci\u00f3n
\n\u00d3scar Mart\u00edn \u00b7piano<\/p>\n

Rosa de Alba \u00b7 soprano | Carolina Moreno \u00b7 contralto | Vicente Bujalance \u00b7 tenor | Javier Cuevas \u00b7 bajo<\/p>\n

Coro Manuel de Falla \u00b7 Francisco Jos\u00e9 Cintado, director
\nCoro de C\u00e1mara Manuel Castillo \u00b7 Esther Sanzo, director
\nCoro Ateneo de Sevilla \u00b7 Antonio Mart\u00ednez, director
\nEscolan\u00eda Regina Coeli de Dos Hermanas \u00b7 Nicol\u00e1s M. Barbero, director<\/p>\n

 <\/p>\n

– PROGRAMA –<\/strong><\/p>\n

J. Rodr\u00edguez Romero<\/strong>
\nConcierto para piano y orquesta<\/em><\/p>\n

J. Haydn<\/strong>
\nMissa in Angustiis Hob XXII:11. \u201cMisa Nelson\u201d<\/em><\/p>\n

PLANTILLA<\/span><\/a><\/p>\n

Entrada libre mediante invitaci\u00f3n. Las invitaciones pueden recogerse a partir del 18 de mayo en la conserjer\u00eda del CICUS (c\/Madre de Dios,1), de lunes a viernes de 10h a 18h.<\/p>\n","protected":false},"excerpt":{"rendered":"

OSC. VI Temporada 2016-2017 Tres ser\u00e1n los conciertos que tendr\u00e1n lugar en la ETS de Ingenier\u00eda en esta nueva temporada de la OSC, destacando tanto los solistas participantes en cada uno de ellos, as\u00ed como los programas que se interpretar\u00e1n, siendo especialmente protagonista la m\u00fasica europea del siglo XX en el segundo de los conciertos […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":43,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-867","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/pages\/867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":52,"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/pages\/867\/revisions"}],"predecessor-version":[{"id":3347,"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/pages\/867\/revisions\/3347"}],"up":[{"embeddable":true,"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/pages\/43"}],"wp:attachment":[{"href":"https:\/\/institucional.us.es\/orquesta\/wp-json\/wp\/v2\/media?parent=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}