{"id":2950,"date":"2025-05-19T10:01:41","date_gmt":"2025-05-19T10:01:41","guid":{"rendered":"https:\/\/institucional.us.es\/redgotico\/?page_id=2950"},"modified":"2025-10-13T10:53:21","modified_gmt":"2025-10-13T10:53:21","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/institucional.us.es\/redgotico\/publicaciones\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"\t\t
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T\u00edtulo<\/th>Autor\/es<\/th>A\u00f1o<\/th>Palabras de inter\u00e9s<\/th>Disponibilidad<\/th>\n<\/tr>\n<\/thead>\n
A procedure to import a complex geometry model of a heritage building into BIM for advanced architectural representations<\/strong><\/td>Eduardo Acosta;Franco Spettu;Fausta Fiorillo<\/td>2022<\/td>#DiegoDeSilo\u00e9
\n#ReinoDeGranada
\n#Iglesia
\n#Archidi\u00f3cesisdeGranada
\n#Canter\u00eda
\n#Fachada
\n#Esc\u00e1ner3D <\/td>		https:\/\/doi.org\/10.5194\/isprs-archives-XLVI-2-W1-2022-9-2022<\/a><\/td>\n<\/tr>\n
A Gothic-Renaissance Synthesis in a Diego de Ria\u00f1o's Vault<\/strong><\/td>Antonio Ampliato;Eduardo Acosta<\/td>2020<\/td>#DiegoDeRia\u00f1o
\n#ReinoDeSevilla
\n#B\u00f3veda
\n#Iglesia
\n#Archidi\u00f3cesisDeSevilla
\n#Estereotom\u00eda
\n#Canter\u00eda
\n#Estaci\u00f3nTotal<\/td>		https:\/\/doi.org\/10.1007\/s00004-019-00471-2<\/a><\/td>\n<\/tr>\n
On the Use of Perspective in a Drawing Attributed to Diego Silo\u00e9<\/strong><\/td>Antonio Ampliato;Eduardo Acosta<\/td>2020<\/td>#DiegoDeSilo\u00e9
\n#Dibujo
\n#LuzRasante<\/td>		https:\/\/doi.org\/10.1007\/s00004-020-00487-z<\/a><\/td>\n<\/tr>\n
Las dos almas de Diego Silo\u00e9: una aproximaci\u00f3n anal\u00edtica a la iglesia de la villa en Montefr\u00edo<\/strong><\/td>Antonio Ampliato;Eduardo Acosta<\/td>2020<\/td>#Archidi\u00f3cesisdeGranada
\n#Canter\u00eda
\n#Iglesia
\n#B\u00f3veda
\n#Fachada
\n#ReinoDeGranada
\n#Estaci\u00f3nTotal <\/td>		https:\/\/doi.org\/10.4995\/ega.2020.13478<\/a><\/td>\n<\/tr>\n
El palacio en la iglesia. Diego Silo\u00e9 y la singular cabecera de Nuestra Se\u00f1ora de los Remedios de Iznalloz, Granada<\/strong><\/td>Antonio Ampliato;Eduardo Acosta<\/td>2021<\/td>#DiegoDeSilo\u00e9
\n#ReinoDeGranada
\n#Iglesia
\n#Archidi\u00f3cesisdeGranada
\n#Canter\u00eda
\n#Fachada
\n#Esc\u00e1ner3D<\/td>		https:\/\/doi.org\/10.17401\/lexicon.s.2-ampliatoacosta<\/a><\/td>\n<\/tr>\n
Recreaci\u00f3n gr\u00e1fica y an\u00e1lisis de la Iglesia de Nuestra Se\u00f1ora de los Remedios de Iznalloz<\/strong><\/td>Eduardo Acosta<\/td>2022<\/td>#DiegoDeSilo\u00e9
\n#Iglesia
\n#Archidi\u00f3cesisdeGranada
\n#B\u00f3veda
\n#Fachada
\n#Esc\u00e1ner3D
\n#Canter\u00eda
\n#Estereotom\u00eda <\/td>		<\/td>\n<\/tr>\n
Organismos Duales: una aproximaci\u00f3n a la arquitectura de Diego Silo\u00e9 a trav\u00e9s de sus iglesias parroquiales<\/strong><\/td>Antonio Ampliato;Eduardo Acosta<\/td>2022<\/td>#DiegoDeSilo\u00e9
\n#Iglesia
\n#Catedral
\n#B\u00f3veda
\n#Canter\u00eda
\n#Archidi\u00f3cesisdeGranada
\n#Estaci\u00f3nTotal
\n#Fachada
\n#B\u00f3veda <\/td>		<\/td>\n<\/tr>\n
Ribbed vaults with Renaissance characteristics: singular design and construction in some of Diego Silo\u00e9\u2019s vaults<\/strong><\/td>Eduardo Acosta<\/td>2023<\/td>#DiegoDeSilo\u00e9
\n#ReinoDeGranada
\n#Iglesia
\n#Archidi\u00f3cesisdeGranada
\n#Canter\u00eda
\n#B\u00f3veda
\n#Estereotom\u00eda
\n#Esc\u00e1ner3D
\n#Fotogrametr\u00eda<\/td>		https:\/\/doi.org\/10.2423\/i22394303v13n1p1<\/a><\/td>\n<\/tr>\n
Architectural analysis of the main facade of the collegiate church of Osuna using high-density data collection<\/strong><\/td>Fernando D\u00edaz-Moreno;Eduardo Acosta<\/td>2025<\/td>#Archidi\u00f3cesisDeSevilla
\n#ReinoDeSevilla
\n#DiegoDeRia\u00f1o
\n#Iglesia
\n#Colegiata
\n#Fachada
\n#Esc\u00e1ner3D
\n#Fotogrametr\u00eda <\/td>		https:\/\/doi.org\/10.14568\/cp36908<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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